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SAN FRANCISCO COMPOSERS CHAMBER ORCHESTRA
Presents "All That Fall"
Saturday, October 5, 2019 at 8 pm

St. Teresa of Avila Catholic Church
1490 19th Street, San Francisco, CA

PROGRAM
Mark Alburger conducting

 

Kat Walsh is a bassoonist, violist, violinist, and composer based in Mountain View, CA. She has performed with groups including the Pan American Symphony Orchestra, Orlando Opera, Central Florida Lyric Opera, and Southern Winds, and currently plays with a variety of casual ensembles around the Bay Area. Walsh has a BA in music from Stetson University in DeLand, Florida and a JD from George Mason University in Arlington, VA, and when not behind a music stand is instead practicing law, in technology, IP, and internet policy.

Kat Walsh

In Waves   notes

Igor Stravinsky (June 17 [O.S. June 5] 1882 - April 6, 1971) was a Russian, and later French and American composer, pianist, and conductor. He is acknowledged by many as one of [and by some as] the most important and influential composer[s] of the 20th Century.

Igor Stravinsky

Pulcinella Suite   notes

I. Sinfonia
II. Serenata
III. Scherzino – Allegretto – Andantino
VI. Tarantella
V. Toccata
VI. Gavotta (con due variazioni)
VII. Vivo
VIII. Minuetto – Finale

intermission

 

The multi-instrumentalist Michael Cooke is a composer of jazz and classical music. This two-time Emmy, ASCAPLUS Award and Louis Armstrong Jazz Award winner plays a variety of instruments: you can hear him on soprano, alto, and tenor saxophones, flute, soprano and bass clarinets, bassoon and percussion. A cum laude graduate with a music degree from the University of North Texas, he had many different areas of study; jazz, ethnomusicology, music history, theory and of course composition. In 1991 Michael began his professional orchestral career performing in many north Texas area symphonies. Michael has played in Europe, Mexico, and all over the United States. Cimarron Music Press began published many of Michael's compositions in 1994. After relocating to the San Francisco Bay Area, he has been exploring new paths in improvised and composed music, mixing a variety of styles and techniques that draw upon the creative energy of a multicultural experience, both in and out of America. In 1999, Michael started a jazz label called Black Hat Records (blackhatrecords.com) and is currently on the Board of Directors of the San Francisco Composers Chamber Orchestra. The San Francisco Beacon describes Michael's music as "flowing out color and tone with a feeling I haven't heard in quite a while. Michael plays with such dimension and flavor that it sets (his) sound apart from the rest." Uncompromising, fiery, complex, passionate, and cathartic is how the All Music Guide labeled Michael's playing on Searching by Cooke Quartet, Statements by Michael Cooke and The Is by CKW Trio. His latest release, An Indefinite Suspension of The Possible, is an unusual mixture of woodwinds, trombone, cello, koto and percussion, creating a distinct synergy in improvised music that has previously been untapped.

Michael Cooke

Michael Cox has been making music with his horn for 30+ years. At the Rice University Shepherd School of Music and the Cleveland Institute of Music, his teachers included Mark Hughes, Michael Sachs, and David Bilger. A huge fan of musical theater, he previously played Fiddler on the Roof, Sister Act and West Side Story at the Berkeley Playhouse. Some of the many fine local groups he enjoys jamming with: San Francisco Composers Chamber Orchestra, Lafayette Big Band, and Bay Area Classical Harmonies Orchestra. Besides music, Michael spent 17 years at Electronic Arts where he was a producer of SimCity and Sims games.

Michael Cox

Crystal Pascucci is a cellist, composer and improviser. As a performer, she is most active in the contemporary and experimental music communities. Her compositions are generally scored for instrumental chamber ensembles and use standard and experimental notation. Emotionally charged, her music moves through traditional harmonies while employing sound and noise elements. A graduate of Mills College, she is an active performer of free improvisation. In these contexts, she often approaches her instrument in a non-traditional way using extended techniques for sound development. She performs regularly with Roscoe Mitchell, Pamela Z, Ellen Fullman, Gino Robair, Lisa Mezzacappa, David Behrman and the Paul Dresher Ensemble. She writes music for and plays in the band, Two Aerials, and is a member of the Dirty Snacks Ensemble.

Crystal Pascucci


Impromptu C3   notes

Dr. Mark Alburger (1957-2023, Upper Darby, PA) was an award-winning, eclectic ASCAP composer with postminimal, postpopular, and postcomedic sensibilities. He was the Music Director of SF Composers Chamber Orchestra, SF Cabaret Opera / Goat Hall Productions, and The Opus Project; Editor-Publisher of 21st-Century Music and New Music; Adjunct Professor Emeritus of Music Theory and Literature at Diablo Valley College; and a Musicologist for Grove Online and Grove Dictionary of American Music. His principal teachers were Gerald Levinson and Joan Panetti (Swarthmore College, B.A.); Jules Langert (Dominican University, M.A.); Christopher Yavelow (Claremont University, Ph.D.); and Terry Riley. Dr. Alburger had composed 399 major works, including chamber music, concertos, oratorios, operas, song cycles, and symphonies. His complete catalogue was available from New Music. (markalburgerworks.blogspot.com)

Mark Alburger

Broke Dance Intermezzi    notes

B, Op. 298

IVb8. Bergamasque Mask (Dandy)
IVb9. Ice Bergerette (In the Brush)
IVb10. CrumBolero (Militaire)
IVb11. Bonne Bon… (Anatomic Memorial)
IVb12. Bechtel Bouree (Precipitous)
IVb13. Brando Bransle (Brawl)
IVb14. …de Bourgogne (Red)
IVb15. …de Champagne (Mummers)

G, Op. 303

IVg4. Syncretic Gavot Gavotta Gavotte (Alpha-Omega)
IVg5. Dexterous Ghost... (Double Duo)
IVg6. Great Grass…. ('80's)
IVg7. Danse Grotesque (Revels)
IVg8. Gumboot... (Miners' Minors)

X, Op. 320

IVx1. X… (Xenia)
IVx2. Xibelani (Xylophone)

Charlie Sharzer has been composing for 20 years, and moved to the Bay Area from New York late last year. He studied at Yale University, and graduated with degrees in music composition and astrophysics. His music has been featured by organizations including the Atticus Brass Quintet, the Jack Quartet, and the Yale Symphony Orchestra. In addition to composing, Charlie has performed as a violist with the Yale Symphony, Chelsea Symphony in New York, and various other ensembles on each coast. He was the music director of Yale’s Davenport Pops Orchestra for the 2011-2012 season. Apart from music, Charlie conducted research detecting extrasolar planets and moons, was a member of the 2012 Teach for America corps in Newark, NJ, and now works for Palantir Technologies in Palo Alto.

Charlie Sharzer

The First Week of Freshman Year   notes

The First Day (Prelude and Fugue)
The First Night (Passacaglia)
The First Crush (Minuet and Trio)
The First Party (Bourée)
The First Day of School (Canon)

speaker Click on the links to listen to the music. video Click on the links for video.

PERFORMERS
 

Piccolo / Flute
Bruce Salvisberg
Harry Bernstein

Oboe
Stardust

Clarinets
Michael Kimbell

Alto Saxophone
Michael Cooke

Bassoon
Michael Cooke
Kat Walsh


Trumpet
Michael Cox

Horn
Bob Satterford
Alex Strachen

Wagner Tuba
Alex Strachen

Piano
Megan Cullen

Percussion
Victor Flaviani
Benedict Lim


Violin I
Kristen Kline

Violin II
Kat Walsh
Harry Bernstein

Viola
Charlie Sharzer

Cello
Irene Herrmann
Crystal Pascucci

Bass
John McGrew

 

 

In Waves (2019) reflects the composer's minimalist enthusiasms in its phase-shifted counterpoint.

Pulcinella (1920) is a 21-movement, one-act ballet for chamber orchestra and three vocalists, on stock commedia dell'arte characters, commissioned by Diaghilev, who wanted a work based on what was then considered to be music by Giovanni Battista Pergolesi, found in the libraries of London and Naples (later scholarship has determined that many of the pieces were actually composed by Domenico Gallo, Unico Wilhelm van Wassenaer, Carlo Ignazio Monza, and Alessandro Parisotti). Although the composer was initially unenthusiastic about the project, he later took to the pre-existent compositions avidly, tarting them up in a variety of manners, such that the music becomes progressively more "his own" as the piece unfolds. Pulcinella is a crucial landmark on Stravinsky's path to neoclassicism: "my discovery of the past, the epiphany through which the whole of my late work became possible. It was a backward look, of course -- the first of many love affairs in that direction -- but it was a look in the mirror, too." The Suite was written two years later, in eight movements, as a purely instrumental collection. Subsequent to this, the composer also issued several other versions, mostly entitled Suite Italienne, for solo strings and piano.

Impromptu C3 is a free-form musical composition with the character of an ex tempore improvisation as if prompted by the spirit of the moment. Much as J.S. Bach improvised many concert works, here we have three composers joining forces to do the same.

Broke Dance Intermezzi: B, Op. 298; G, Op. 303; and X, Op. 320 (February 18, March 14, and June 10, 2019) are three of 26 collections of additional dances which can be inserted between (or follow) the Sarabande and Gigue of Broke Dance Suite, Op. 290. The eighth-to-fifteenth items of the 22-piece second volume hip-hop through broken gyrations of Gabriel Faure, Arnold Schoenberg, Tielman Susato, Hector Berlioz, Gustav Holst, Maurice Ravel, George Crumb, Japanese ritual music, J.S. Bach, G.F. Handel, Ian Anderson, Matthew Owens, Alex North, Claude Gervaise, and Francis Poulenc. The last five pieces of the eight-part ensuing collection add samplings of Igor Stravinsky, Sergei Prokofiev, Frederick Loewe, Leonard Bernstein, and evocations of Wovoka, Sioux warriors, and South African gold laborers. The concluding two-piece set references Alan Hovhaness, John Cage, Merce Cunningham, Chopi xylophone music, and Camille Saint-Saens.

The First Week Of Freshman Year (2008) is based on a series of sketches depicting a succession of events at the very beginning of college. Each is based on a traditional 17th or 18th Century form that goes haywire depending on the situation. Together, they portray the (collective - don't judge!) biography of moving away from home for the first time. The piece is constructed in a series of continuous movements.

Mark Alburger Dr. Mark Alburger was the Music Director, Conductor, and founder of the San Francisco Composers Chamber Orchestra. Mark was an eclectic American composer known for his postminimal, postpopular, and postcomedic sensibilities. He served as the Music Director of Goat Hall Productions / San Francisco Cabaret Opera, Editor-Publisher of 21st-Century Music Journal, an award-winning ASCAP composer of concert music published by New Music, an Instructor in Music Theory and Literature at Diablo Valley College, a Music Critic for Commuter Times, an author, musicologist, oboist, pianist, and recording artist.

Dr. Alburger studied oboe with Dorothy Freeman and played in student orchestras that were in association with George Crumb and Richard Wernick. He studied composition and musicology with Gerald Levinson, Joan Panetti, and James Freeman at Swarthmore College (B.A.), Karl Kohn at Pomona College, Jules Langert at Dominican College (M.A.), Tom Flaherty and Roland Jackson at Claremont Graduate School (Ph.D.), and Terry Riley.
       Since 1987, he had lived in the San Francisco Bay Area, where he initially produced a significant amount of vocal music with assembled texts. His works from this period included the opera "Mice and Men" (1992), the crisis-madrigal collection L.A. Stories (1993), the rap sheet For My Brother For My Brother (1997), and the hieratic Passion According to Saint Matthew (1997).

Since 1997, Dr. Alburger had gridded and troped compositions upon pre-existent compositions ranging from world music and medieval sources to contemporaries such as George Crumb and Philip Glass. To that date, he had written 16 concerti, 7 masses and oratorios, 12 preludes and fugues, 20 operas, 6 song cycles, and 9 symphonies -- a total of 500 opus numbers amounting to more than 800 individual pieces.